David Gilmour Fender Stratocaster 001 is where things start complicated. In the studio, David uses many different amps. A large number of T Nen tats the result of the combination of several amperes at a time and recording the resulting mixture Leisurely recorded. Others result from taking a feed directly from the guitar at the reception, each amplifier Completely bypass stronger Constantly. And yet it is still as it sounds, on each track.
On stage, David used his rule Hiwatt forwards 100 watts into several 4 x 12 cupboards. But again, it is changed frequently h – He often uses the B2 Alembic stronger preamplifier, power Hiwatts in the power stage. My recommendation to start addressing the right tone is an amplifier Stronger, which can be rotated very loud, w To find clean while remaining. This is the basis of almost all shades of David.
Although probably the first pedal to T ne That comes to mind when one is lead by David the Big Muff pedal, I took my place at the most, his sound was a ProCo Rat. This has the advantage of being able to make adequate imitation of the Fuzz Face and Big Muff and his own sound, a good price you get you there.
In addition, other essential elements are lush phaser whooshy a digital delay Delay that you at least 800 ms delay Delay, smooth overdrive pedal, a compressor, and optionally a ch is aligned erm Heart. You are able to exact units used David, if you want to look, but I think it is better to Ger Te you know with and give a sound you like, because we all the need to feel comfortable: you ask, via the Internet, “how can I use this device ush”, and after three or four positions always someone pipes up Tone is in the fingers. “If that’s true, why these guys to tens of thousands of dollars of guitar hardware