David Gilmour Guitar Amp Series

David v Totally ver Changed his strong for his solo album in 1984 and in the 1980s and early 1990s was the time when David worked st Constantly, making appearances guest guitarist on dozens of other shooting artists such as Pete Townshend, Bryan Ferry, Paul McCartney, Pete Cetera, Kate Bush, Supertamp, Warren Zevon, Arcadia,David Gilmour Guitar Amp Series, Rod Stewart, and Berlin. Its sound has remained in this period something equal, mixed mainly created by the HM-2 boss or Big Muff distortion with the tone of some slightly distorted amp. Here is a 14-minute medley of different shades of solo this time, many of whom Similar to exactly the same configuration.

David used his About Face album and tour in 1984 seems to have the same configuration – Fender Twins, a Mesa Boogie 60w head and Boss pedals. The Boss HM-2 and Mesa / Boogie unerl are ugly to the T Ne of the time, even when David was always a Rams Head Big Muff. He had the Mesa / Boogie for light overdrive T Ne used since 1978 for this album, he led the HM-2 in Mesa head, probably Mark I or Mark II in the spring for a mixture of the two T ne. This combo is used distortion for solos for most of the heavy lead. Gilmour has described this exact configuration in Guitar World November 1984 issue.

“When the sound that I spend a lot of time by a Boss HM-2 Heavy Metal Boogie amplifier Rker (defined as overdrive) to a DDL and then dissolved in a regular Fender amplifier Stronger . I have two new 100-watt Fender Twin Reverb leader l runs for two 4×12 Schr nke -. each with two oblique nke WEM Fane Crescendo speakers and two oblique nke with Marshall Celestion.

A chorus of boss was also NEN materially from these T. David used variations of this configuration for many of his appearances in the 1980s and early 1990s These solos were David’s guitar sounds on 1985 Song Brother Where You Bound Supertamp and 1986 concerts low as Pete Townshend amazing for me. It took a long time to understand what David used it and the best combo I came up with this T ne to reproduce exactly (without Mesa) is shown below – a mixture of the HM-2 and a Big Muff Pi . Note that a Cornish Big Muff displayed (P-1), but then Head Big Muff or a clone of a Ram should work. For amplification Stronger, this configuration works best with a Hiwatt DR103 or Reeves, but if you have a middle dug Fender amplifier using Rker like a Twin Reverb, it is best to use a pedal EQ use to st the midrange Strengths , Strat with EMG SA pickups to serve with the old SPC began halfway, the best for this t nen But That sounds good with Standard Strat pickups too. 

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