How David Gilmour Guitar Tone

What are all used to do, and how you want the tone for Pink Floyd David Gilmour similar set pedals What microphones and amplification Rker best for shadow Here is a general guide to the gearbox and how to get the T Ne. There, the basic construction Gilmour T Ne audio clips by some of the same machine used David. These clips are designed to show that each piece of equipment tr Gt help to set the tone. This is not completely Quantcast song for song list by any means, just a general overview, based on my experience. I recommend you look Gilmourish.com and tone of the sky to much more detailed reference for all over the years used David materials. These guys have really done their homework and have comprehensive websites on everything to do with the speed of sound and David Gilmour, but for my page, I wanted the actual sound clips and focus settings reference. Have fun !

The David on used his About Face album and tour in 1984 seems to have the same configuration – Fender Twins, a Mesa Boogie 60w head and Boss pedals. The Boss HM-2 and Mesa / Boogie unerl are ugly to the T Ne of the time, even when David was always a Rams Head Big Muff. He had the Mesa / Boogie for light overdrive T Ne used since 1978 for this album, he led the HM-2 in Mesa head, probably Mark I or Mark II in the spring for a mixture of the two T ne. This combo is used distortion for solos for most of the heavy lead. Gilmour has described this exact configuration in Guitar World November 1984 issue.

A chorus of boss was also NEN materially from these T. David used variations of this configuration for many of his appearances in the 1980s and early 1990s These solos were David’s guitar sounds on 1985 Song Brother Where You Bound Supertamp and 1986 concerts low as Pete Townshend amazing for me. It took a long time to understand what David used it and the best combo I came up with this T ne to reproduce exactly (without Mesa) is shown below – a mixture of the HM-2 and a Big Muff Pi . Note that a Cornish Big Muff displayed (P-1), but then Head Big Muff or a clone of a Ram should work. For amplification Stronger, this configuration works best with a Hiwatt DR103 or Reeves, but if you have a middle dug Fender amplifier using Rker like a Twin Reverb, it is best to use a pedal EQ use to st the midrange Strengths , Strat with EMG SA pickups to serve with the old SPC began halfway, the best for this t nen But That sounds good with Standard Strat pickups too.

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